Multimedia project - I remember me.

Comments

Post a Comment

Popular posts from this blog

Rush: Chapter 1 (47-57)

I think this section really challenged me to expand my idea of what art is. While I can appreciate Nauman's Clown Torture as amusing and maybe a little disturbing, some of the other performances , such as Pier Martons's Performance for Video , where he beats himself with a guitar until it disintegrates, may make a particular statement, but it's also hard to distinguish from possible mental illness. I think we might've discussed something like this in class. What distinguishes some art from mental illness? Can it be both? Probably. Some of Muehl's performances (pg 56) border on the latter, or certainly deviant and possibly criminal.
Read more

Anyone Still Working Here? (Studio NAND)

Today I learned about Studio NAND , which "mak[es] data and technology inspiring and usable." Anyone Still Working Here ? examines the future world of work vis-à-vis robotics. Studio NAND investigates the relationship between humans and robots and attempts to create some understanding in humans for how robotics can improve their work, automating monotonous, precise, or dangerous tasks. The installation features the UR5 single-arm robot , which can be integrated into existing workflows. It can also work collaboratively alongside humans. Anyone Still Working Here? from Studio NAND on Vimeo .
Read more

Rush: Chapter 1 (36-46)

This section makes me think about how some of Rauschenberg's performances would not be possible in our current COVID-19 environment. Especially Open Score (Bong) , which had 500 volunteer performers. I'm sure there are ways to make something similar with social distancing, but certainly not on the scale of 500 performers in close quarters. What art will emerge out of this experience? I'm thinking of a performance that happens behind Plexiglas, and each viewer must mask and glove up in their own Plexiglas observer booth, then use disinfectant to clean their booth before departing.
Read more